Additional Work 2

Selected Work


3643-5, 2020 Collaborative work with Carlos Javier Ortiz  Toner on bond paper mounted on Chicago bound steel armature with aluminum screw posts and steel backing (White band) 185 pages 36 x 24 x 2 inches

3643-5, 2020
Collaborative work with Carlos Javier Ortiz
Toner on bond paper mounted on Chicago bound steel armature with aluminum screw posts and steel backing (White band)
185 pages
36 x 24 x 2 inches

3643-5, 2020 Color excerpt  Dimensions variable

3643-5, 2020
Color excerpt
Dimensions variable

Philomena, 2020 Acrylic and gouache on gesso on cotton paper 16 X 22 inches

Philomena, 2020
Acrylic and gouache on gesso on cotton paper
16 X 22 inches

Intervals
Project Archive

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OU-T, 2014
Automotive primer on formed and threaded iron cylinder with pipe fittings, hand written stories in Spanish and Polish, hard candy, sage and plastic wrap
32 x 12 x 12 inches

In the way she didn’t move, 2013
Brass plate with mirror polished face and oxidized edges
60 x 10 x 12 x 1/4 inches

Schlesner, 2013
Nickel plated iron pipe and fittings, hand written stories of dreams in Haitian Creole, hard candy, sage and plastic wrap
28 x 4 x 6 inches

Cascade, 2013
Graphite and steel nickel plating on blue steel plate
62 x 10 x 1 inches

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"When you hear hoofbeats, think of horses not zebras"- Dr. Theodore Woodward

2013
Paper collage with ink, staples and soldering wire mounted on museum board
12 x 18 inches

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Ask in the darkness, 2010
Installation view, Farside: Mosquera Collection, Miami
Carved blue agave plant and engraved nickel plated mirror polished aluminum
Dimensions variable

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Daley’s Son (Dos horas por dos dolares), 2007
Embossed leather belts and bronze belt buckle
92 x 3 inches

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Jualas, 2007
Acrylic and enamel paint on tracing paper, embossed leather belts, fluorescent lighting fixtures, extension cords, plastic bag with inflated balloon
Dimensions variable

It’s not the heat, it’s the humility, 2009
Installation view


Dimensions variable

Riverdale, 2009
Shaped iron cylinder with cast cement and rubber footing (2 parts)
100 x 100 inches

Waveland and Troy, 2009 Nickel plated steel pipes, fittings and chain  32 x 140 x 54 inches

Waveland and Troy, 2009
Nickel plated steel pipes, fittings and chain
32 x 140 x 54 inches

Release and let it go, just let it go, 2009
Charred pine and marine epoxy
64 x 130 x 70 inches

Release and let it go, just let it go, 2009 Charred pine and marine epoxy 64 x 130 x 70 inches

Release and let it go, just let it go, 2009
Charred pine and marine epoxy
64 x 130 x 70 inches

Ñoño, 2008
Fluorescent lighting fixture, extension cord, printing plastic bag, duct tape and 4 embossed leather belts with complaints in Spanish
60 x 12 x 2 inches

Bled dry, 2014
ID laminate on hair of a journalist on toner on bond paper
18 x 24 inches

Abandoned cul de sac (Immokalee, FL), 2014
Toner and ink on bond paper. Ed. 3
36 x 48 inches

Photographed patterns on beds found at an abandoned forced labor site, Immokalee, FL, 2014
Toner on bond paper. Ed. 3
120 x 24 inches

(1)(2)(3)(4)(5)(6)(7)(8)(9)(10)(11)(12)(13), 2010
Enamel, foil, cigarette wrapper, aluminum leaf, toner and ink on stacked and embossed bond paper
Framed within an acrylic casing on black felt
40 x 28 inches

Geronimo, 2013
Reclaimed pine, wax and filth
Installation view from In Plain Sight w/ Nina Berman and Jon Lowenstein
36 x 144 inches

Tableaux #4-3310 (Transcriptions of collected social commentary from Chicago and Miami translated to Polish, Haitian Creole and Spanish) 2010
Artist designed codex engraved onto mirror polished nickel plated aluminum
26 x 19 inches

Self Portrait (Tableaux 7-3410), 2010
Kodak metallic print, Ed. 3
24 x 36 inches

Hercules, 2014
UV pigment print on steel plate with oxidation in artist’s frame
38 x 30 inches

Silent retreat, 2007
Carved aluminum composite panel with baked enamel finish
48 x 48 inches